Contemporary Women Playwrights

Into the 21st Century
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Penny Farfan
649 g
235x155x23 mm

A diverse and comprehensive anthology of essays on international women's playwriting since the 1990s
Acknowledgements.- Notes on Contributors.- Introduction; Penny Farfan and Lesley Ferris.- PART I: HISTORIES.- 1. Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting; Elaine Aston.- 2. Female Alliances and Women's Histories in Contemporary Mexican and Argentine Drama; Ana Elena Puga.- 3. Chronic Desires: Theatre's Aching Lesbian Bodies; Sara Warner.- 4. Women Playwrights in Egypt; Nehad Selaiha with Sarah Enany.- 5. Transcultural Dramaturgies: Latina Theatre's Third Wave; Natalie Alvarez.- 6. Black Women Playwrights Making History: Katori Hall's The Mountaintop; Soyica Diggs Colbert.-
Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.